City of Ember was the surprise closing-night film at Fantastic Fest, but I found out about the surprise a little early (which is always fun). I was able to see the film earlier in the week so I could interview director Gil Kenan, who showed up in Austin with surprise guest (to me, too!) Bill Murray for the closing-night festivities. Kenan has directed a pair of entertaining and visually stunning family-friendly features, the Oscar-nominated animated film Monster House and now the City of Ember adaptation, which opens in theaters on Friday. Not only that, but Kenan landed both of these projects right after he graduated from UCLA, where his short film The Lark won him a lot of attention. We talked about what he's done to make City of Ember as beautiful a film as it is, and how he found such compelling lead actors. He's currently linked to a new Robert Zemeckis production, Airman, and we took a minute to discuss that too. Check it out after the jump.

A few weeks back I received an early copy of the Iron Man SE DVD, and although we all griped a little bit about the lack of an audio commentary -- I'm pretty sure the fans are still happy with that purchase. So now let's try it again, only instead of Iron Man, we'll be picking through the 3-disc Special Edition of Louis Leterrier's The Incredible Hulk. And while it's definitely a good package (provided you dig the film), here's one simple warning right out of the gate: The third disc is nothing more than a "digital copy" platter. Maybe I'm missing something, but I just don't see the big appeal of "digital copies." Why the hell would I want to overstuff my hard drive -- when I have the DVD sitting right here??

Anyway, the Special Edition has lots to recommend it, and the main feature is certainly something to see -- doubly so if you happen to have Blu-Ray. (I do not.) Even better the second time around, The Incredible Hulk is a simple yet very well-made action adventure flick in which a fugitive scientist must avoid the military while trying to get a powerfully monstrous alter-ego out of his system. Edward Norton, Liv Tyler, William Hurt, and Tim Roth bring an excellent air of professionalism to "yet another" superhero movie, and while it might not have been the Action Event that Iron Man was, I think it's safe to assume that Marvel and the fans were pleased with the big green semi-sequel as well.

So on disc one we get an audio commentary with Leterrier and actor Tim Roth, as well as six deleted scenes that run about 14 minutes total. The deleted footage is mostly early (Brazil) stuff and a few villainous rants between Hurt and Roth. (All good cuts if you ask me.) As far as the commentary goes, it sounds a lot like a cool Brit and an enthusiastic Frenchman talking about their action movie. I'm only about fifteen minutes into the chat-track, but it's pretty amusing stuff...

Read on for the Disc Two delights.

One of the most gorgeous-looking films I've seen this year is City of Ember, the Fox/Walden adaptation of Jeanne Duprau's young-adult fantasy novel about a post-apocalyptic underground city. Although the story is aimed at younger audiences, it's still enjoyable for grown-ups. The movie should be viewed on as large a screen as you can find, giving you the sense that you're this close to the fascinating and decaying city where the story is set.

The movie's prologue lays out the premise clearly. In the future, something goes haywire that causes the end of the world, but fortunately top U.S. scientists have created an underground city to keep a portion of mankind safe. The inhabitants will not be told about the Earth's past, so they won't be traumatized and will assume that their underground city is the only civilization. A box with instructions for returning to the Earth's surface will open in 200 years, which should be time enough for the Earth to be inhabitable again. However, over the course of time the box becomes lost, and after more than two centuries have passed, the city is starting to run out of resources and is falling apart.

If the current financial crisis is getting you down, how about a post-apocalyptic vision of poverty and murder to cheer you right up? Or, then again, maybe not. The Hollywood Reporter announced that Dominic Monaghan (LOTR) and Freddy Rodriguez (Planet Terror) have signed to star in the horror-thriller, Fortuna.

The flick is set in a future of extreme wealth and poverty. The world's elites have devised a way to reduce poverty by offering citizens the chance to compete in a mysterious game known as Fortuna, in which one person will be whisked away to life of riches and luxury -- what could go wrong? Well, if you have ever seen a movie before you can probably guess that maybe the prize isn't all it is cracked up to be.

Writer-director Barthélémy Grossmann will appear alongside Rodriguez and Monaghan as one of the contestants, and the film is expected to start shooting on location in Bulgaria. According to THR the production is already underway, and, "ghetto like sets are being built for a film Zilber compares to 1973's post apocalyptic thriller "Soylent Green."

Grossmann is a relative unknown to most of us in North America, and this appears to his first foray into English film making (but the recognizable faces of Monaghan and Rodriguez should help the project earn a little attention). Even though it might not be the most original idea for a film (I like to think of it as Running Man meets Regannomics) but I guess everyone has financial collapse on the brain anyway, why not turn it into big-screen entertainment?

Despite having six new wide releases last week, only Beverly Hills Chihuahua and Nick and Norah's Infinite Playlist cracked the top five. In its third week of release, Appaloosa expanded into an additional 1,031 theaters, allowing it to take the number five spot. Here's the top five.

1. Beverly Hills Chihuahua: $29.3 million
2. Eagle Eye: $17.7 million
3. Nick and Norah's Infinite Playlist: $11.3 million
4. Nights in Rodanthe: $7.3 million
5. Appaloosa: $5 million

Body of Lies
What's It All About: In this Ridley Scott film, Leonardo DiCaprio plays a CIA agent tracking terrorist activity in Jordan, with Russell Crowe playing the veteran agent who helps him infiltrate the terrorist underground.
Why It Might Do Well: This film reteams DiCaprio with William Monahan, the screenwriter behind The Departed, and the flick is sporting a 70% fresh rating at rottentomatoes.com.
Why It Might Not Do Well: This being an election year, there are already enough lies kicking around.
Number of Theaters: 2,500
Prediction: $26 million

Have you ever wondered where Tom Thumb came from? If so, you'll be happy with a recent post from The Hollywood Reporter. It seems the tiny character is heading for the big screen with Warner Bros. and director Kevin Lima (Enchanted), and the project will be go the live action route, although Thumb might be CG. Robert Rodat, of Saving Private Ryan fame, wrote the script, which is said to "look at the heroism that a knight must summon after he is reduced to a pint size." Okay ... CG is cool and all, but I hope they stick to miniaturizing a real person. CG doesn't have to be used for everything, and Tom Thumb wasn't made into a cartoon character when he shrunk, after all.

Next up, THR also reports that David Cronenberg is circling the Robert Ludlum project The Matarese Circle, which we previously told you about when Denzel Washington signed on earlier this year. Before it was simply the latest political thriller to hit the screen, one that focuses on two rival agents, US and Soviet, who work together to find Matarese criminals lurking in the American government. But with Cronenberg? The man behind The Fly, Crash, Spider, and A History of Violence? This sounds so bloody good.

Finally, there's good ol' David Duchovny. In August, he went away to rehab for sex addiction. Now, according to Ace Showbiz, he's out and heading back to work. A statement issued by his lawyer says: "He is out of rehab and will be starting a movie soon." This will, most likely, be The Joneses. I'm just glad it's about a fake family and not about sex. After all this, I just can't watch Californication without getting weirded out.

There's actually a lot of noteworthy geek news today -- but alas, none of it is amazing enough to really warrant an entire post. Believe me, it makes me a sad panda not getting to devote an entire post to Wolverine. So, let's just get right down to it:

• Producer Lauren Shuler Donner talked up X-Men Origins: Wolverine over on Superhero Hype: "It's closer to the first X-Men in tone because it's a little darker, but there's a lot of action. It's his origin story. It's really good. I've been in the editing room the last couple of weeks and I think that it's good and that audiences are going to like it. But it's a little darker ... You haven't seen this side of him. It's darker and sadder and it's kick-ass. There's a ton of action. It's really kick-ass." She also suggested the film borrows from Wolverine's Victorian youth in one of my least favorite series, Wolverine: Origins.

• The troubled Punisher: War Zone has launched its official site, and it's got all kinds of things to click on. The multiplayer game jammed up my computer so I don't know what that's all about. And IGN has the new poster, which will arrive in your local theaters framed in "real" guns. I must say, that is a pretty impressive piece of marketing.

• David S. Goyer, scribe of The Dark Knight, tried his best to end all these Batman 3 rumors. "It's all B.S.," he told MTV News. "ALL of it. Chris and I haven't even talked about it. He quite understandably is taking a long, long vacation and wants to purge himself." This will dampen the "Guess who's playing Catwoman" rumors for approximately 3.5 days.

• Superhero Hype has 5 videos of Kick-Ass filming in Toronto. Mostly people standing around, and cars being driven on platform trucks. And /film has photos up of Dave "Kick Ass" Lizewski's costume, filled out nicely by his stunt double.

Middle Earth fanatics have long debated what the heck this whole "second Hobbit movie" would entail. Arguably, there's enough material for a prequel, with Gandalf leading battles into Mirkwood to fight Sauron, who was slowly rebuilding his dark kingdom. But recent news has suggested it is more of a Hobbit sequel, where Tolkien's material is scarcer.

Well, MTV News caught up with director Guillermo del Toro, who attempted to shed a little light on the topic. "The reality is that we stopped talking the first movie and second movie, and we just started taking about the movie - the two episodes, or two parts, as if they were a single piece of narrative. We don't even call it the bridge movie, we just call it 'The Movie.' And this is great. When we found what reverberated, and we found it in one of our virtual meetings -- we understood. It's a movie. We all agree that if we do our job right, it should all feel like a continuous journey. That's what we're striving for."

Is that any clearer? No, I didn't think so. But actually, del Toro dropped one hint, one riddle in the dark that might just solve everything -- he let slip where the first movie would end. "We are finding out. I think Smaug dies in the first movie. So draw your own conclusions."

And my conclusion would be that with Smaug's death concluding the first movie, the second would deal with the Battle of the Five Armies, where everyone from elves to the men of Esgaroth have an eye on claiming Smaug's gold. It's pretty epic and vicious, and could easily take up an entire movie. In fact, I'm not sure how they could get all of that into one Hobbit film. I think this is going to turn out to be a sensible move that does the book justice -- not the cash grab we all took it for.

We might have all seen this coming, but then again, it is always nice to know you're right.

The sci-fi blog, Io9 has now confirmed that Ridley Scott's next project will be a feature film version of Brave New World, Aldous Huxley's classic novel. In an interview with the blog, Scott told them about the origins of the project. Scott says, "I didn't choose to do it, someone came to me with it. In fact it was Leo's [Leonardo DiCaprio's] production company that came to me with that." Could this mean that Scott already has Mr. DiCaprio in mind for a role in the film as well? Rumblings about the project started back in June, when Scott announced that he was finally making a return to sci-fi -- but he wasn't giving away details at the time. As it turns out, the smart money was on a big screen version of Huxley's prophetic novel.

Written in 1932, Brave New World centered on a future in which everyone appeared happy and content while in a constant state of consumption (sound familiar?). When an outsider is brought into the 'perfect society', things get a little tricky. The message: we're all willing to give up our freedoms and humanity for a little comfort and entertainment.

After the jump, Scott talks about the script, and the problem with finding 'the perfect writer'.